Rainbow Chan, Marcus Whale and Eugene Choi speak with Amie Mai about In the Mood – A Love Letter to Wong Kar-wai & Hong Kong, their latest commissioned performance from the Sydney Opera House.
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‘Writing as diverse people allows us to make a start even if reaching the end takes more time than forever itself and is littered with barbed wire and glass.’
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‘And so, if diversity is about letting us speak our own stories, it is not enough to assume that the shape, tone, style, metre, length, language, of those stories will be in a manner that makes sense to critical good taste.’
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‘Diversity’ is everywhere and it is exhausting, not only to keep talking about it but to experience it, to keep educating people, to refuse the weight of whiteness as it interrupts and silences our work in the community.
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Sumarlinah Raden Winoto reviews Famili, which launched during Midsumma 2020.
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It struck us recently that it seems like we’re always looking to the future, and rarely focus on the things we’ve worked so hard to create. We thought we’d take a second to take a look at the things we’ve done this year.
Welcome to our 2019 Wrap!
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Ubud Writers & Readers Festival has announced its full program and lineup of over 180 authors, journalists, artists and activists from 30 countries.
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‘I am what Robert Park, an American sociologist would have described as a Marginal Person. Somebody who lives in two worlds, but who is more or less a stranger in both.’ Melanie Cheng on liminality, first read at the launch of LIMINAL issue #1.
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‘Depending on who you talk to, the d-word can be either dreaded, detested, or divine. It’s a word that, when laundered through the spin-cycle of contemporary culture, has been wrung to absolute death.’ A Review of Three Performances at Melbourne Fringe 2019.
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The values of Melbourne Fringe, as professed in the 2018 Annual Report “Who We Are” section (p2), centre “inclusivity” and “diversity.” As such, we are dismayed, alarmed, concerned and disturbed to note one of the programmed works at the 2019 Melbourne Fringe, “Aisha the Aussie Geisha” by Kate Hanley Corley.
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Together, we speak of Perth in its wondrous complexity, in the shifting sands of time, and in partnership with the other communities that also belong here.
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This year, Sydney Writers Festival explores the ways that writing can be used to deceive others in an increasingly post-truth world, look at the lies that we tell ourselves and each other, and those we collectively tell as a country.
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Sumarlinah Raden Winoto reviews Krishna Istha’s Beast, now showing at Arts House as part of Midsumma Festival 2019.
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Mapping Melbourne is our very favourite time of year! We’ve picked out our top ten events for you.
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Some of our favourite events for the 2018 Digital Writers Festival!
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We’ve put together a quick list of must-see’s for this year’s MWF so you don’t have to sweat the details for your next night out.
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Leah Jing & Rachel Ang have come together to bring you Comic Sans, a serialised collection of the best Australian comics artists working today.
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Liminal is turning one year old! Help us celebrate by getting in our First Year Tee.
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For Liminal Presents, Mike Eleven created fifty original artworks for our audience.
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Between You and I, an exhibition by Ellen YG Son, investigates how our perception of the world is coloured by the cultural conditions in which we are situated.
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